Thursday, November 10, 2011

Distilled delights

No matter how clear or otherwise I am about the road to follow in expressing myself, one clear aim which I try to keep in mind is to distill.  Not just to Keep It Simple, Stupid, but to try within that clarity to have depth and power.  It is those admirable qualities which I see in so much of the work presented over the years in Lesley Millar's exhibitions.
It can be seen in the work of Sue Lawty and Diana Harrison in the Bite Size exhibition, and shown in my post of  5 November.   It can also be seen in the pieces by Harumi Isobe, Masakazu Kobayashi, Hideaki Kizaki, and Shihoko Fukumoto, for example.
Harumi Isobe: Untitled  12 x 23cm
Masakazu Kobayashi: Untitled  25 x 25 x 4cm
Hideaki Kizaki: House As Asian Origin  20 x 23 x 20cm
Shihoko Fukumoto: TOHOKU 28 x 25cm
This last was quite sufficient in itself: a sumptuous small treasure, and then I read in the catalogue that it is made of paper fabric.  The pleasurable frisson I felt at that I suppose equates to the delight some folks have in eating a particularly rich dark chocolate.

3 comments:

jude said...

that last one is astounding

Olga said...

Jude, isn't it wondrous: the catalogue says that 'In ancient Japan, peasants collected plant fibres from the fields and mountainsides then wove them into garments for the family.'

Then goes on to say 'The indigo of this cloth from the colder regions of Japan, was made painstakingly by hand using water from the snow as it melts at the end of the long winter, and charcoal from the cooking stove, and is dyed surprisingly deeply.'

As you say: astounding.

jude said...

to appreciate all this is to understand so much